BWS · Image & Film

Raw files to finished photographs.

Raw development, retouching and masks that follow your photographer's style.

What it does

Raw development: Tone, a colour mixer and colour grading on raw files.
Camera profiles and lenses: Camera colour profiles, lens distortion and colour-fringe correction.
Burst picks: Flags closed eyes and picks the best frame in a burst.
Masks: Masks by brightness, colour or depth, combined by adding, subtracting or intersecting.
Object removal: Removes an object and fills the gap from the rest of the picture.
Relighting: Changes the light after capture, and matches light when compositing, with contact shadows.
HDR output: Exports gain-map HDR JPEG for HDR screens.
Export presets: JPEG, PNG, 16-bit TIFF, WebP, AVIF and HEIC, with colour space, sharpening and metadata.

Finished files: JPEG, PNG, TIFF, WebP, AVIF, HEIC or HDR files, sized and sharpened for where they are published.
Layered master: A layered 16-bit TIFF.
Settings: XMP sidecars that keep each development.

In: Raw files from most cameras (ARW, CR2, CR3, NEF, NRW, RW2, ORF, DNG, RAF), layered 16-bit TIFF and XMP sidecars.
Out: JPEG, PNG, 16-bit TIFF, WebP, AVIF, HEIC, gain-map HDR JPEG and layered 16-bit TIFF.

Do you change my original raw files?: No. A development is kept as settings beside the file, and every export is a new file.
Is anything in my photograph generated?: No. Object removal fills the gap from the rest of your picture; nothing is generated from outside it.
Can you work in my photographer's style?: Yes. Developments and masks follow the look you point us to, and the settings stay with the file.

Each engagement starts with a partnership inquiry: what you are building, on what timeline, and which engines it needs.